Search Result - Ordered Chronologically
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Bach Bibliography Search Result - Ordered Chronologically |
Author : Franklin, Don O.Your search has generated the following results ...
| Type | List | Author: Title  , Series, Vol/No (Year/Month/Date of Publication), Pages | Status |
|---|---|---|---|
 | 1. | Franklin, Don O.: Problems of Text and Tempo in Bach's Well-Tempered Clavier II: A New Look at the Sources. [p]AMS_Philadelphia (Nov 1976) |  |
| | 2. | Franklin, Don O.: Textual Problems in Bach's W.T.C. [p]AMS_RockyMountain (Apr 1977) | |
| | 3. | Franklin, Don O.: Problems of Tempo in J. S. Bach's Music. [p]AMS_Michigan (Nov 1982) | |
| | 4. | Franklin, Don O.: Problems of Tempo in the Keyboard Works of J. S. Bach. [p]AMS_MidAtlantic (Mar 1984) | |
| | 5. | Franklin, Don O.: The Music for Keyboard. [p]AMS_SouthCentral (Apr 1985) | |
 | 6. | Franklin, Don O.: Articulation in the cembalo works of J. S. Bach: A notational study. [cr]Stuttgart1985 (1987), ii: 452-465 | |
| | 7. | Franklin, Don O.: Reconstructing the Urpartitur for WTC II: a study of the 'London Autograph' (BL Add. MS 35021). BachStud 1 (1989), 240-278 | |
 | 8. | Franklin, Don O. (ed.): Bach Studies. [1] BachStud 1 (1989), 362p | |
| | 9. | Franklin, Don O.: The Carnegie Manuscript and J. S. Bach. Bach 22/1 (Spring-Summer 1991), 5-15 | |
| | 10. | Franklin, Don O.: Die Artikulation in den Cembalowerken J. S. Bachs - eine Notationsstudie. BachSt 10 (1991), 280-301 |  |
| | 11. | Franklin, Don O.: Die Fermate als Notationsmittel für das Tempoverhältnis zwischen Präludium und Fuge. BeitrBachF 9-10 (1991), 138-156 | |
| | 12. | Franklin, Don O.: The Carnegie Manuscript and J. S. Bach. CarnegieMag 60/7 (1991), 20-25 | |
| | 13. | Franklin, Don O.: Bach's Keyboard Music in the 1730s and 1740s: Organs and Harpsichords, Hildebrandt and Neidhardt. EarlyKStudNL 6/1 (1991), 1-6 | |
| | 14. | Franklin, Don O.: The Fermata as Notational Convention in the Music of J. S. Bach. FestschriftSer 10 (1992), 345-381 | |
| | 15. | Franklin, Don O.: The Libretto of Bach's John Passion and the Doctrine of Reconciliation: An Historical Perspective. [cr]Amsterdam1993 (1995), 179-203 | |
| | 16. | Franklin, Don O.: Vom Recht Sterben, Christlich Leben, und Seelig Sterben: Johann Olearius und Johann Sebastian Bach. [p]QJSB_Stuttgart (Oct 1995) | |
| | 17. | Franklin, Don O.: The 6/4 Time-signature as Sign and Symbol. [p]IATB_Chicago (Sep 1997) | |
| | 18. | Franklin, Don O.: 'Recht Glauben, Christlich Leben, Seelig Sterben': Johann Olearius and Johann Sebastian Bach. [cr]Stuttgart1995 (1998), 229-248 | |
| | 19. | Franklin, Don O.: Konvention und Invention in Kantate 46: Johann Sebastian Bachs Kantate für den 10. Sonntag nach Trinitatis. ArolserBeitrMf 7 (1999), 181-206 | |
| | 20. | Franklin, Don O.: Vom alten zum neuen Adam: Phrygischer Kirchenton und moderne Tonalität in J.S.Bachs Kantate 38. [cr]Eisenach1996 (1999), 129-144 | |
| | 21. | Franklin, Don O.: The Role of 'Tacktarten' in Bach's composition of the chorale cantatas. [p]IATB_Logumkloster (Oct 1999) | |
| | 22. | Franklin, Don O.: Composing in time: towards a new understanding of temporal strusture in J.S. Bach's multi-movement works. [p]BCB_Dublin (Jul 2000) | |
| | 23. | Franklin, Don O.: The relationship between the theological and temporal dimension of the Matthew Passion. [p]IBS_Utrecht (Sep 2000) | |
| | 24. | Franklin, Don O.: Beziehungen zwischen Taktordnung und Kompositionstechnik in Teil I des Wohltemperirten Claviers. [p]IS_Köthen (Oct 2000) | |
| | 25. | Franklin, Don O.: Proportionen und Dimensionen in der Missa in h. [p]WK_Leipzig (Jan 2000) | |
| | 26. | Franklin, Don O.: The Role of Time Signatures in Bach's Composition of Jahrgang I. DortmundBachF 3 (2002), 329-356 | |
| | 27. | Franklin, Don O.: Aspekte von Proportion und Dimension in Johann Sebastian Bachs Missa von 1733. LeipzigerBeitrBachF 5 (2002), 235-272 | |
| | 28. | Franklin, Don O.: Das Verhältnis zwischen Taktart und Kompositionstechnik im Wohltemperierten Klavier I. MwSchr 38 (2002), 147-160 | |
| | 29. | Franklin, Don O.: Viewing the Goldberg Variations as a musico-mathematical matrix. [p]BS_Dortmund (Jan-Feb 2002) | |
| | 30. | Franklin, Don O.: Viewing the Goldberg Variations as a musico-mathematical matrix. DortmundBachF 6 (2003), 231-250 | |
| | 31. | Franklin, Don O.: C.P.E. Bach's St. Matthew Passion 1789 as Parody and Pasticcio. [p]WAfB_Wolfenbüttel (Apr 2003) | |
| | 32. | Franklin, Don O.: Composing in time: Bach's temporal design for the Goldberg Variations. IrishMStud 8 (2004), 103-128 | |
| | 33. | Franklin, Don O.: Johann Sebastian's Matthew Passion as a model for the Hamburg Matthew Passions of Carl Philipp Emanuel. [p]BICB_Manchester (Jul 2004) | |
| | 34. | Franklin, Don O.: Carl Philipp Emanuel Bach's 1789 Matthew Passion as Pasticcio and Parody. WolfenbüttelArbBarockF 43 (2005), ii: 655-672 | |
| | 35. | Franklin, Don O.: Alfred Mann (1917-2006): A Personal Reminiscence. BachNotesABS 6 (Fall 2006), 18-19 | |
| | 36. | Franklin, Don O.: A Guide to the Temporal Structure of the 1733 Missa. [cr]Belfast2007 2 (2007), 446-458 | |
| | 37. | Franklin, Don O.: The Missing Adagio. EarlyMReview 119 (Jun 2007), 12-13 | |
| | 38. | Franklin, Don O.: The Role of the 'Actus Structure' in the Libretto of J. S. Bach's Matthew Passion. [fs]Leaver65 (2007), 121-139 | |
| | 39. | Franklin, Don O.: Bach and the Oratorio Tradition. [p]ABS_Bethlehem (May 2008) | |
| | 40. | Franklin, Don O.: Bill Scheide: Pioneer and Promoter of Bach's Music. BachNotesABS 11 (Spring 2009), 7-8 | |
| | 41. | Franklin, Don O.: The 2009 Montreal Bach Symposium -- A Conference Report. BachNotesABS 12 (Winter 2010), 2 | |
| | 42. | Franklin, Don O.: George J. Buelow (March 31, 1929 -- March 30, 2009) BachNotesABS 12 (Winter 2010), 11 | |
| | 43. | Franklin, Don O.: Viewing the poetic texts in Bach's Matthew Passion from a new perspective. [fs]Petzoldt65 (2011), 67-77 | |
| | 44. | Franklin, Don O.: In Memoriam: Martin Petzoldt (13 April 1946--13 March 2015). Bach 46/1 (2015), 1 | |
| | 45. | Franklin, Don O.: 'Recht Glauben, Christlig Leben, Seelig Sterben': Johann Olearius and the Libretto of Cantata 67. Bach 46/1 (2015), 2-28 | |
| | 46. | Franklin, Don O.: Viewing the Poetic Texts in Bach's Matthew Passion from a New Perspective. Bach 46/1 (2015), 29-48 | |
| | 47. | Franklin, Don O.: Don O. Franklin named Honorary Member. BachNotesABS 22 (Spring 2015), 1-2 | |
| | 48. | Franklin, Don O.: Remembrance of Martin Petzoldt. BachNotesABS 23 (Fall 2015), 4-6 | |
| | 49. | Franklin, Don O.: Reading Bachäs Notation: A Guide to the Temporal Structure of the 1733 Missa. Bach 48/1 (2017), 76-92 | |
| | 50. | Franklin, Don O.: Notational and Performance Issues in J. S. Bach's Preludes and Fugues for Organ. Bach 51/2 (2020), 241-258 | |